Some of the men who had been through the battle actually posed for the picture, whilst machine-guns and all manner of military accoutrements were temporarily placed at the artist’s disposal, whose studio assumed something of the appearance of a battlefield. Though, naturally, not actually present at the fighting, Major Jack had carefully investigated and sketched the whole ground, and has spent some time with the units which took part in the engagement, collecting from officers and men all the details and facts needed for absolute accuracy. Unlike the British government commissions, which encouraged a modernist approach to war, the Canadians wanted Jack to produce recognizable ‘history’ paintings as realistic as possible– and he did, controversially including bodies of the broken and dying. Heading to the Western Front as a Major, Canadian Forces, Jack took to his work in covering the heroic stand by the Canadians at Second Ypres for posterity. These were subsequently published and brought him the attention of the Canadian governor general’s office, who extended an offer in 1916 to commission Jack as the official war artist to cover Canadian exploits in the war to end all wars. Trust Supplied by The Public Catalogue Foundation The Return to the Front Victoria Railway Station, by Richard Jack, 1916, via the York Museums, on display in Lincolnshire. He uses cats as models, but going beyond the feline factor, uses a lot of military authenticity.
Mccall cosmic view professional#
In the past twenty years he has cranked out some 500 works as a professional illustrator and recently came up with the idea of portraying Russo-Soviet military history, with a slight twist.
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Leaving the military, he studied art at Kuban State University in Krasnodar then settled in the warm Black Sea town of Gelendzhik near Novorossiysk and took up painting and drawing. His populist hyperrealist style, while similar to that of Mort Knustler and others, is unique although sadly some of Minney’s work has actually become kinda synonymous with 1960s kitschy kink- but in the end has been embraced and preserved, so put that in your politically correct pipe and smoke it!Ĭombat Gallery Sunday: The Purrfict Martial Art of Alexander Zavaliyīorn in 27 January 1955 in Vorkuta, a coal-mining town in the Komi Republic (its north of the Arctic Circle and its name means “place teems with bears”), Alexander Zavaliy went to officer school and served in the Red Army, being forward deployed to East Germany and seeing what Afghanistan looks like on the two ruble a day plan. Soon he began producing cover and illustration art for a number of men’s magazines ranging from Stag, For Men Only, Male, True Action, Man’s World, New Man and later National Lampoon while also churning out a staggering 400 paperback covers over the next 30 years. However, after graduation work as a firefighter left him unfulfilled artistically so in 1955 he packed up the family and moved to the mecca of advertising, paperback and pulp publishing production– New York City. West Coast artist Bruce Minney was born Octoand in 1946 was accepted to the prestigious California School of Arts and Crafts. He was meticulous, first sketching his art, then using watercolors for shading and fill work and finishing with acrylics.Ĭombat Gallery Sunday : The Martial Art of Bruce Minney With the world turned upside down in 1919, he returned to Berlin and took up the family business, both expanding and preserving his father’s inherited work and producing original plates of his own while helping run the Berlin Zeughaus Museum.
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He finished the war as a Hauptmann in a horse cavalry unit on the Eastern Front. Herbert found himself as a officer in the Prussian Army and, assigned to Hindenburg’s 1st Army was wounded at Tannenburg during WWI. His father’s uniform books are classics that endures to this day as is his massive 1,000-plate Große Uniformkunde, which young Herbert assisted with. The elder Knotel pioneered uniform art and in many cases drew from preserved examples whenever possible. Much as once a week I like to take time off to cover warships (Wednesdays), on Sunday, I like to cover military art and the painters, illustrators, sculptors, and the like that produced them.Ĭombat Gallery Sunday : The Martial Art of Herbert Knotelīorn in 1893 in Berlin, then the capital of old Hohenzollern Prussia and that of Imperial Germany as a whole, Herbert Knotel was the son of renowned uniformologist and military historian Richard Knötel (1857-1914).